Strangers

The Hollywood Reporter

May 11. 1979

Television Review

CBS, May 13, 9-11p.m.

Aside from the significance appropriate to its airing on Mothers Day, “Strangers: The Story of a Mother and a Daughter” also boast a pair of pivotal performances from Bette Davis and Gena Rowlands that are amongst the most moving characterizations unveiled thus far this season. These two play fatal victims of their own no communication over the years, a tapestry of envy, resentment, guilt and subtitle affection as we discover the extent of Davis’ bitterness toward the arrival of daughter Rowlands. Rowlands’ desperate wish, naturally enough is for reconciliation. The conflicting attitudes spin off into battles and arguments that only underscore the fact of the caring concern both women share for each other, even if they are shy about showing it.

Too many of Davis’ recent outings have been outlets for her vibrant personalities rather than her acting prowess, but the oversight is reflected here in her portrayal that skillfully shifts from callous insensitivity to compassionate caring. Rowlands is in equally fine fettle as she subjects herself to Davis’ emotional abuse before getting across the depth of her need for her mother’s support. As the film progresses, Rowlands gradually exudes a gallant aura of peace that’s quite memorable. Ford Rainey, Donald Moffat, Whit Bissell, Royal Dano and Kate Riehl back the stars firmly.

Milton Katselas’ direction is laudable in its own right-its emphasis primed towards the relationships which supply the intimate atmosphere. Michael De Guzman’s script is balance yet involving. James Crabe’s photography, Fred Karlin’s succinct score, in conjunction with Millie Moore’s editing, are able technical allies too. Robert Christensen and Rick Rosenberg produced for Chris-Rose Productions. Earl Davis